From August 19, 2018 Facebook Post
POV. It’s author-speak for point of view. In story telling, it’s the voice telling the story. In first person, it’s one of the characters. In third person it’s usually an all-knowing, non-character with an overall view of the story events.
In writing workshops and books on writing, POV is often referred to as the filter through which the story is told.
Retirements, obituaries, and funeral/memorial services recall the recent history of a retiree or lifetime of the deceased through the POV of their coworkers, family, and friends. The stories, usually favorable, become interesting when they reflect an aspect of the person’s life unfamiliar to you (for example, the family life of a teacher). They are even more interesting when the stories relate to personality traits of or events in the life of the retiree or deceased that are completely opposite of your own personal recollections.
Imagine. A person tells a story illustrating the deceased’s generosity. Yet you have personal experiences that are completely opposite.
What if, as a young person, you hear family members share experiences and stories about a long-time family acquaintance that aren’t particularly flattering. At a later time you hear remembrances about the individual from a different perspective that conflict with the opinions of the elders you love and respect. Whose viewpoint is correct? Could both be accurate? Has time softened memories?
Hmmm.
POV. It’s one of the most important choices an author can make. And the decision can alter the entire meaning and outcome of the story. So think about one of your favorite books and how different it might be if told from a different POV. Either a different character, or a third person all-knowing observer.